bitchy | Taylor Swift ‘is so upset and has zero regrets about making this public’


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As I mentioned on Monday, if we’re merely speaking about whether or not an artist ought to personal their masters, or whether or not an artist ought to at all times have the ability to have the “first crack” at shopping for again their masters, I believe that’s one thing that most individuals will agree with. It really sucks that Taylor’s musical work as much as Fame is now the property of Scooter Braun. It could have sucked if her masters belonged to ANYONE moreover Swift. However as soon as once more, it positively seems like as an alternative of preserving the argument easy, Taylor needed to complicate issues together with her Massive Snake Vitality, misrepresenting what she knew and when and misrepresenting what she was supplied and what she turned down. Scooter Braun hasn’t mentioned something publicly, however he has reportedly tried to name Taylor to allow them to talk about all of this privately. She refuses to talk to him. However after all she’ll let this leak out:

Since sharing this publicly, a supply advised E! Information that the blonde magnificence doesn’t have any regrets about her assertion. “It doesn’t matter what Scooter or any of his individuals say, Taylor believes he did this to harm her. She desires the reality about him to come back out. She was livid and she or he nonetheless is. She is so upset and has zero regrets about making this public.”

Regardless if she has “enemies,” the supply shared that Swift “feels very strongly” in regards to the scenario and going public with it.

“Taylor doesn’t care if she has enemies and if all of Scooter’s mates help him. She is aware of what his intentions are and why he did this,” the insider defined. “She has her mates who will stand by and help her, too. She feels very strongly about this, and standing as much as Scooter.” All in all, the supply revealed the “ME!” singer isn’t afraid of the leisure govt. “He doesn’t scare her in any respect.”

[From E! News]

I do know I preserve saying this, however once more: Kanye says hello. This seems like an absolute repeat of the unique Kanye/I-Made-That-Bitch-Well-known scenario the place Taylor acted like probably the most harmless and attacked martyr on the planet, a Little Pink Hiding Hood who was shocked when the Massive Dangerous Wolf by no means gave her a heads-up a music (besides he did). Solely this time, Taylor is making an attempt to color white male music executives because the wolves. TAYLOR has made the problem about “what did she know and when did she understand it,” and the music executives are already pulling out the receipts. From Web page Six:

Taylor Swift knew for months that the rights to her previous songs — and her former report label Massive Machine — have been up on the market however didn’t do something about it, a supply tells Web page Six. A supply advised us on Tuesday that Swift was supplied the chance to purchase her grasp recordings however “walked away” from the songs in October 2018, after a 10-month negotiation over the sale of Massive Machine Data to mega supervisor Scooter Braun’s Ithaca Holdings.

“In all the time of negotiations, she by no means as soon as reached out about wanting her masters,” our supply mentioned. Following Swift’s Tumblr submit, Scott Borchetta revealed on-line textual content messages allegedly despatched by Swift on Nov. 19, 2018, through which she appeared to say {that a} new cope with a distinct label meant “extra to me” than proudly owning her masters. “Since communication ran dry on our negotiations, I’ve finished what I advised you I’d do and gone out exploring different choices,” Swift allegedly wrote to Borchetta about signing with Common Music Group. “Proudly owning my masters was essential to me, however I’ve since realized that there are issues that imply much more to me within the greater image. I had a alternative whether or not to guess on my previous or to guess on the long run and I believe understanding me, you possibly can guess which one I selected.”

We’re advised Braun was below a non-disclosure settlement all through the negotiations, which meant Swift wasn’t conscious that Braun and his firm have been those lining as much as purchase the label.

“She determined to stroll away,” the supply mentioned. “Within the 10 months since, she hasn’t reached out as soon as, so how passionate may she have been about them? She received caught crying wolf once more.”

Web page Six confirmed that as quickly because the NDA was up — when the report that Braun acquired the label was revealed — Braun reached out to Swift and her camp quite a few occasions to privately talk about the deal. Swift hasn’t contacted Braun and “ghosted” him, we’re advised. Braun’s buy of Massive Machine Data, which additionally consists of A-list music expertise reminiscent of Florida Georgia Line, Girl Antebellum and Thomas Rhett, wasn’t solely about Swift.

[From Page Six]

That was my query at first – Swift’s declare was that the one manner she may get again her masters was to re-sign with Massive Machine and slowly “earn again” her masters one after the other relying on what she produced. Besides Borchetta mentioned no, that wasn’t what she was supplied in any respect – if she had resigned with Massive Machine, they might have instantly turned over the rights to ALL her masters, and she or he wasn’t required to provide a sure variety of albums to earn them again. So she misrepresented that (and Borchetta has receipts). However my query was whether or not Swift was supplied the chance to purchase her masters outright, with out resigning to Massive Machine. Was all of that a part of the “stroll away” from Massive Machine, I ponder?

Save the Children

Images courtesy of WENN.


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